Long Gap

May 27th, 2009

To those who’ve been following my blog, I’ve become obsessed with Facebook and am not posting here as much. If you like, please look me up as “Nathan Massengill” on Facebook and Friend me there. Mention in comment you saw me here, please. I will try to pick up the posting schedule here as well. Also, commenting is almost irrelevant here as I get so many robotic spams (I currently have over 40,000 spam comments awaiting approval) that it isn’t worth posting a comment, sadly! :(

New Inker for the JSA

August 23rd, 2008

Well, I am more than a bit late in announcing this here. Newsarama already has me on the schedule: NEWSARAMA JSA NEWS LINK

But at all events, the good news is this: I am the new series inker on the JSA. Two things are extra special about this assignment: One, Dale Eaglesham is doing some of the most beautiful pencils I’ve ever had the chance to work on…And, Two, Alex Ross is involved in the crafting of the story, which is a follow-up of sorts to his brilliant Kingdom Come graphic novel. Kingdom Come is almost universally acknowledged as one of the finest pieces of fiction in the superhero genre and Alex is an old friend of mine. I’m impossibly lucky to be part of this team.

And for those who are wondering, I am getting to know Dale Eaglesham and he is more than a consummate professional at the top of his game…He’s a really nice and thoughtful person. I think you’ll be amazed at the work he is doing…I know I have been. The best thing about being an inker is getting to be so familiar with masterful artwork, to get to appreciate a penciler’s work in a unique way. I hope all the fans of the JSA and Kingdom Come get to read this series!

Mike Wieringo Tribute Book / Heroes Convention

June 10th, 2008

Many artists contributed to finish Mike Wieringo’s last comic, which he was working on when he passed away so suddenly. Sanford Greene and I did a page for it. Marvel and Wizard both have preview links up for the book (included at the end of this short entry). Also, the original page for the book will be donated to the Hero Initiative at Charlotte and, I believe, will be auctioned off there. Mike and I both loved Heroes Convention and the Drum family for their wonderful, hospitable, pure comic-book show. I hope to see everyone there!

PREVIEW LINKS:

Wizard

Marvel

Jazma Interview

June 8th, 2008

Richard Vasseur of Jazma Online has just posted an interview with me! If you don’t want to read my boring prattle, he actually has interesting interviewees (sp?) as well! Thanks, Richard! Here’s the link: NAM Interview!

Giant Size Marvel Page Progression - Thing vs. Hulk

May 20th, 2008

Richard Guion has done a very nice page progression on his lovely blog site on our Think vs. Hulk page! Thanks so much, Richard! Well worth checking out this link: GIANT SIZE MARVEL.COM!

Quick Update

May 9th, 2008

indy_iss1_pg20_400.jpg

 

First Look at the New Indy Inks!

My current status: Working on “Indiana Jones and the Tomb of the Gods” for Dark Horse. Steve “Great” Scott is penciling. The four-issue miniseries is getting mucho buzz, which is nice. So far, we’ve had the cover of Previews and a nice Newsarama interview with Steve…

See: http://forum.newsarama.com/showthread.php?t=154972

Likely happenings: “Legion of Superheroes in the 31st Century” coming up with the inestimable Sanford Greene and also, some Jim Shooter authored mainstream “Legion“…turns out Sanford is definitely Legionnaire material!

Also, some interesting news related to “Batman: The Dark Knight” movie…Also, several projects written and/or edited by me in the offing…Stay posted, as they say. ;)

ACE Con 2008

February 17th, 2008

Nathan Massengill, Michael Golden, Sanford Greene @ ACE Con 2008ACE Con here in Atlanta found me at dinner with two great pencilers (actually there were more than that to be sure, but such is the limit of the photograph!). Next to me in the middle is the famous Michael Golden, and beside him is the unmistakable Sanford Greene. [Little did Michael and I know that we are soon hereafter to be struck down by the vicious Atlanta-con flu! This is where I have been lurking the past week…in my sickbed!] Michael Golden strikes me as a very direct person who is very much about honesty and forthrightness. We had a terrific conversation that ranged from the dangerous territory of politics into the - I daresay more interesting area for both of us - of the future of sequential storytelling and the mediums that will be employed to tell those stories. If you ever get a chance to meet Michael, don’t miss it!

Sanford Greene was also at that dinner, though thankfully he escaped the dessert of the Evil Flu! For those who don’t know, Sanford is one of the “regular” pencilers that I work with. We’ve just finished up a DC Comics’ Wonder Girl mini-series and hopefully will be starting more trouble up soon. Sanford has a mad talent and is really hilarious when you get him riled up. Sitting with these two men, it is very clear you are sitting next to two generations of comics history in the making, which is one of the great thrills of working in this business.

Another highlight: Talking with Bob Schreck. I’ve only worked for Bob once, on the “City of Crime” Batman graphic novel (and a couple other scattered issues of Detective Comics), but that was enough for us to become friends. He is indisputably one of the greatest modern comics editors and his comics war stories are so funny they make me cry like a baby. Through him, I was also able to meet another of the indisputably great editors, his ex-wife Diana Shutz. I wish I had taken pictures! What an idiot I am.

Another great moment was finally getting to talk to Joe Linsner (brilliant painter of the comic series “Cry for Dawn”). I tried to track down when I had first met Joe…we are nearly the same age and both broke into comics very young…back in the NYC hotel conventions of the very late eighties or very early nineties. Though we have probably been in the same room dozens of times over the intervening years, it was very rare we would get a chance to speak. Finally talking to him at the ACE con was a revelation; it was really like meeting an old friend I’d never been introduced to. What a kind person! I really admire his career path and very much enjoyed the chance to tell him so. If you haven’t had the chance, trust me, you’ll love his work even more after you get to meet him.

Following the theme of this blog entry, let me just state for the record that the greatest thing about working in comics is being a part of a massive, diverse, sprawling, quirky, brilliant, intentional family of Creators. The sense of “family” in comics is very real and very valued.

Dan Simmon’s Terror

February 17th, 2008

For many years now, I’ve proclaimed author Dan Simmons one of the best writers alive, mainly on the strength of his Hyperion science-fiction series. Hyperion is both small and impossibly grand in scope; poetic, blunt, and always challenging. It also has what may be one of the greatest villain/monsters ever (the Shrike). So it will come as no surprise to anyone that I have enjoyed his new historical fiction, “The Terror”. Basically, it takes the doomed arctic voyages of the HMS Terror and Erebus, already filled with real terror and horror enough for any book, and adds layers of imaginative nightmarish speculation to that. In other words, a monster. Whereas the Shrike is purest black, the “Thing on the Ice” is all white, but there the practical differences end. Simmon’s monsters are not so much plot vehicles as they are cattle prods for the reader, cruelly tricky ways to make a reader guess and squirm. Don’t expect a traditional monster book here or a traditional disaster book, just to be taunted with their near presences. Like the end of another of my favorite modern fiction novels, Thomas Harris’ “Hannibal,” even your carefully crafted conceptualization of “heroism” may well get somewhat battered by the end of the story. Also like Hannibal, the story virtually revels in its ghoulishness; gore doesn’t begin to describe it. That intensity is greater because this is what the lost arctic explorers would have literally gone through…Simmons stays within the historical facts on this trip, giving a literal weight (positively and negatively) to his story. My take is that the story is about how much it can take for us to truly change our perceptions and attitudes. If you don’t mind the horror-ride, there’s something at the end worth the multiple amputations and the long, cold journey though the ice.

And if you haven’t read it, drop everything and read the Hyperion Series, which is simply as good as science fiction has yet become.

Prisoner-o-rama

February 1st, 2008

For those rabid fans of the Prisoner (so like myself), the BBC has archived some very happenin’ versions of Ron Grainer’s original theme. Arguably, this is the central part of the greatest TV intro of all time. As for the archived “unused version,” Thank the Great Rover it stayed that way! The early version with the lutes is pretty haunting! For Prisoner fans only:

http://www.bbc.co.uk/cult/classic/prisoner/music.shtml

Kid Nation Controversy

January 13th, 2008

Alex Pulls the Freight in Kid Nation


Alex (red shirt) Pulls His Weight

Kid Nation (see: http://en.wikipedia.org/wiki/Kid_Nation) started out in a flurry of controversy which really has not abated. For those not familiar, Kid Nation was a CBS reality show where the children are left “without adults” in a ghost town. The goal was to create their own “nation” made up entirely of kids. There were injuries. One of the kids was splattered with grease while cooking. I remember reading an article about kids drinking bleach mislabeled as water. But none of the injuries were serious, and though complaints were filed, none were acted on. Certainly, comparable to an ordinary 40 days at camp, the injuries seem relatively typical and minor. The exit interviews of the kids seem to indicate that the most difficult experience they faced was being filmed constantly. In the end, the only danger to the show was a season of rather low ratings.

But was it a good show? Well, the answer is that it was a mixture of extremely good and extremely odd.

The extremely good: The kids were uniformly fantastic. You simply can’t get better improvised comedic dialogue anywhere. Unlike the amoral and deceptive (though equally fascinating) competitive model of Survivor, the kids have a credulity and sincerity that is very compelling to watch. In particular, some of the very youngest kids, Mallory and Alex, were real heroes and obviously great kids. Taylor was always fun and I often found myself cheering her on as she stood up to the natural authoritarians in town. As a leader, her “Deal With It” motto was one of the worst political slogans in history, but also totally hilarious. She wasn’t perfect, but she was very real and I know many “adults” who behave exactly like her (in their supposed full maturity). On a deeper level, the show functioned extremely well as an examination of leadership and motivation. It was definitely the most thought-provoking reality show I’ve ever seen.

The Extremely Odd: Simple: The adult manipulation! The best moments in the show were unscripted, unmanipulated (relatively), and brought forth from the imagination of the kids. First problem: Somehow, the producers thought it would be a good idea to force a representative democracy on these stranded kids. Was this to supposedly prepare them for our supremely dysfunctional adult version of this same system? From the beginning, four kids were on council. Occasionally, they were given an opportunity to be voted out and replaced, but that was it. No opportunity to vote out or reorganize the structure of the council was ever given. Kids were also divided into four camps (did the producers have a fetish for the number four?). It seemed this was intended mimic the Survivor camps and avoid individual competition among the kids. Unlike Survivor, there were no directly democratic votes at all, except for the “representative democracy” of the town council. No one was voted out, obviously (that would be traumatic for the kids and the viewers, too!), but instead of leaving out the mercenary game show aspect of Survivor altogether, the producers shoehorned in the forced drama of “gold star” awards in every show. These $20000 gold star awards shifted the whole tenor of the show away from the societal, functioning community (ala “Lord of the Flies”) aspect to the How Can I Behave in Such a Way as To Earn The Gold Star aspect. This manipulative structure served the kids poorly and the viewers worse. Instead of setting up a type of badge system, where all the kids would have chances to shine and achieve victories, 50% of each show was devoted to an ersatz tearjerker popularity contest. When my favorite town member, 9 year old Alex, won his award, I think he put it the best…”I don’t really need $20000.” Later, he said, “But I’ll definitely keep it, gold prices are on the rise.” The kids were just as motivated to win the challenges for various practical rewards around town. Competing for the $20000 stars made the kids think not about making a community, but just the opposite: How to make themselves look good at the expense of others. This was a terrible decision by the producers that reduced 50% of each episode to a tedious forced drama. This half of the show made viewers long for first half. Even worse was the super-manipulative “Religion” episode, which was truly painful to behold. I won’t say much about it expect that it was a sickening directive to make the kids try to form a religion-based town meeting. This placed the kids in the disturbing position of having to defend what is, essentially, the faith (or lack thereof) they are being brought up in by their parents. Kids are below the age of accountability for a reason. The wince factor on this particular episode was very high. Even worse, it was an early episode. If any episode explains why the ratings tanked, this was it. Alex, of course, was the voice of sanity in this episode, too. If only Alex could run him in our presidential election!

Basically, the idea is a great one. By reducing the game show aspects of this program and increasing a looser format with more chances for the kids to achieve on their individual strengths (and have their well-deserved moment in the sun), Kid Nation could be a strong reality program. Overproduction works on a show like Survivor, but the finest moments for the children involve their sense of invention and intuitive common sense. Smothering that smothers the show. Of course, changing the overproduced aspects of the show would, in typical network thinking, destroy the show, so that won’t be happening. But there were still many superb episodes of Kid Nation and congratulations to all the brave kids who stepped up and participated.

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